Bauhaus Museum, Weimar

This is the proposal for the Bauhaus Museum in Weimar.

Design team: Domenico Cannistraci, Angelo Grasso, Eliana Mangione, Matteo Morlacchetti
Type: International Calls for Ideas
Location: Weimar














The visit at the new Bauhaus Museum starts with a walk in the woods where the building is immersed in.Starting from the lesson of the Bauhaus, the Museum is thought as a big workshop, where all the educational and entertaining functions are connected in a continuous space. The building is conceived like a circular compact volume in order to reduce energy supply.The entrance of the museum is located on the south side of its core, and after a walk under the large overhang, the visitors enter the foyer. From the foyer you can accede directly to most of the public functions of the museum. Via a big ramp, that climbs the core, you reach the first floor, where the exhibition main space is to be found. The exhibition path is a spiral which develops itself around the building’s core; meanwhile at the first floor, the viewable depots are located along a path that goes across the circular plan. The core, made out of concrete, is the thermal mass element which provides "inertia" against temperature fluctuations and, at the same time, hosting the stairs creates a chimney for ventilation. On the top floor of the building you find both the offices and the Café that has a terrace looking over the woods.The Café is conceived like a green house, meanwhile the office’s roof is covered by photovoltaic energy supply panels. 






ONE OFF

One-off is a collection of one-off artworks conceived and entirely realized by Angelo Grasso. 
Jokes (even mistakes) can capture our eyes just for a few minutes and make us think about. 
This is the message.
More artworks are going to be posted in the next months and uploaded in ONE OFF page.































“Any resemblance to real events and/or to real persons, living or dead, is purely coincidental”. 2011
Technique: high glossy black stencil on yellow emulsion mounted on 50 mm plasterboard frame. 
dims 90x60 cm. 
Price POA.
Contact/ To purchase: agrasso@me.com

The White House,ops it is just a flat! SW10 London

We have recently delivered a flat renovation in SW10 in team with Edilco LTD and AF-Designs.
Some photos below:

Typology: Private commission
Architect: Angelo Grasso
Contractor: Edilco LTD
Bespoke furniture: AF-Designs
Flat Area: 42 sqm

POT or Top

Pot or Top. Design for a living table
Patented by : Angelo Grasso and Paolo Fisicaro
Designer: Angelo Grasso
Landscaper designer: Paolo Fisicaro
for further informations visit the Pot or Top dedicated page: Pot or Top

OGIP, proposal for The Olympic Games Information Pavilion, London. ACCA competition

Design team: Domenico Cannistraci, Angelo Grasso
Type: International Calls for Ideas
Location: London
Area of the Pavilion: 100 sqm


Together with Domenico Cannistraci Architect we have partecipated to Acca Competition, an international call for designing the Informations Pavilion during the next Olympic Games at Trafalgar Square in London.

Following some informations about the project:




































The Olympic Games Information Pavilion embraces both the visitors with the Londoners during the Games.
The OGIP creates a public space into the public square, this by overlaying a monumental square.
The OGIPlands on the hearth of London and uses the natural pavement of the Square as its indoor floor.
The functions are lined up in a transparent horizontal sequence describing an intimate courtyard.


This see-through basement spaced out by shining gold silver and brass wired curtains is sorrounded by the vertical vibration of the roof which hosts all the suspended equipments togheter with the b-side screen visible from the court as well as from the Trafalgar Square stairs.
The roof reproduces indeed the Mews scenario, inviting the visitors to discover the Olympic Games in a space in between local tradition and contemporary architecture.

Welcome to the Olympic Games.

Trichrome Art Gallery in Fulham road, London

AG is delighted to report a text just recieved from Trichrome Art Gallery

"It has been an extremely challenging experience because of the incredibly restricted budget we imposed ourselves.
So we decided to start up a process of coworking with architect Angelo Grasso trying to recycle any bit found in the existing space and trying to turn the gallery into an illustration itself, mainly by using the stencil art, one of the cheapest ways of expression.
Angelo Grasso suggested to overlay a geometrical pattern on both floors to enhance the hand drawing art of illustrations.
The black stripe at the groundfloor visible from large distance hosts the artworks and can be reconfigurated for any exhibition as the curators and the artists like.The hand by David Graham pierces the black paper and invites the visitors from outside to get in.
In the basement the red staircase seems to get birth from the endless red line of the Stencil Work "Gray will never end".
David Graham and Antonella Cino, managers of Trichrome Art Gallery London. 



Design team: Angelo Grasso
Type: Commission
Location:Fulham, London
Area of the Gallery: approximately 45 sqm








Basement: Stencil " the Gray will never end" design by Angelo Grasso


Ground-floor: the black book. A possible installation layout. Stencil by David Graham.


Flat in SW3, London

Here some pictures of a flat we did in SW3 in London.

Architect: Angelo Grasso
General Contractor: Edilco Limited
Furniture: AF Designs
Area: 90 sqm


The demolition showed up an interesting prefabricated concrete structure, indicating a new spatial disposition and lighting advices for the living room. The really weird thing was that the vertical partition just touched the bottom of the beams.
This the reason to enhance this character of the space enriching all the beams with deamerable lights.


The corridor partecipates to the ceiling rhythm with a sequence of vertical coloured stripes. 



I have been asked to create an artwork on the existing door cabinet set. Together with the clients we decided to get inspirated by a Gio Ponti wall drawing contaminating it with the mat gray and the glossy red colours crossed by stripes.

Design: Angelo Grasso 
Coating: M.Cozari, A Grasso












I have been asked to create a coloumn for a "dangerous corner" between two units I have designed for a room. Together with AF-designs we conceived this lamp instead.
A parallelepiped with circular holes is laying on a black base hiding a jewel box too.

The unit for the masterbedroom hides secret spaces and functions. At the same time its superglossy petrol colour reflects the view of London roofs.


CHAPEAU

I am glad to present this artistic istallation I took part in as exhibition designer for Antonino Rizzo Artist at Museo Guttuso in Bagheria, Italy. 
500 black and white hats were hanging on trasparent wires to pay homage to the Cinema's history.

Istallation: Chapeau
Location: Sala dei Manifesti Museo Guttuso, Bagheria, Italy
Artist: Antonino Rizzo
Exhibition designer and istallation: Antonino Rizzo, Angelo Grasso

Below: Some images and istallation plan.

Landmark. Vertical vs Horizontal

Proposal for the 11 th Arquine International call for ideas for the FARO, Arts and Craft Factory, Mexico
Design: Angelo Grasso 
Client: Arquine 
Year: 2008 
Location: Mexico DF
Area: 100 sqm



Mexico City. On the 50th anniversary of the Satélite Towers (1958) designed by Luis Barragán and Mathias Goertiz, ARQUINE announced its 11th International Competition, proposing the design of a“FARO of Satélite” in the plaza where the towers are located. The towers depict the verticality of this huge landscape. Landmark is the contrast to the verticality of the landscape.It is a burrow which redefines the public space of the large plaza preserving the view of the Satelites Towers. 
Landmark gets up for designing the Arts and Craft Factory space, an architecture conceived as a sprawl of facilities which designs ad defines itself a more intimate open public space. Landmark walls are indeed the graffity workshop, a place for the people, a changeable background for the cityscape.

The Landmark walls facing the City host a permanent graffiti workshop. The walls facing the coutyard will be the result of a process of partecipation between Designers and Cityzens.



View of the courtyard of the Center.


The idea is to develop a workshop to design the walls of the center facilities. This is a simulation.