"It has been an extremely challenging experience because of the incredibly restricted budget we imposed ourselves.
So we decided to start up a process of coworking with architect Angelo Grasso trying to recycle any bit found in the existing space and trying to turn the gallery into an illustration itself, mainly by using the stencil art, one of the cheapest ways of expression.
Angelo Grasso suggested to overlay a geometrical pattern on both floors to enhance the hand drawing art of illustrations.
The black stripe at the groundfloor visible from large distance hosts the artworks and can be reconfigurated for any exhibition as the curators and the artists like.The hand by David Graham pierces the black paper and invites the visitors from outside to get in.
In the basement the red staircase seems to get birth from the endless red line of the Stencil Work "Gray will never end".
So we decided to start up a process of coworking with architect Angelo Grasso trying to recycle any bit found in the existing space and trying to turn the gallery into an illustration itself, mainly by using the stencil art, one of the cheapest ways of expression.
Angelo Grasso suggested to overlay a geometrical pattern on both floors to enhance the hand drawing art of illustrations.
The black stripe at the groundfloor visible from large distance hosts the artworks and can be reconfigurated for any exhibition as the curators and the artists like.The hand by David Graham pierces the black paper and invites the visitors from outside to get in.
In the basement the red staircase seems to get birth from the endless red line of the Stencil Work "Gray will never end".
David Graham and Antonella Cino, managers of Trichrome Art Gallery London.
Design team: Angelo Grasso
Type: Commission
Location:Fulham, London
Area of the Gallery: approximately 45 sqm
Basement: Stencil " the Gray will never end" design by Angelo Grasso
Ground-floor: the black book. A possible installation layout. Stencil by David Graham.
